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    • NIC STRINGER POETRY
    • Sound & VISION
    • Corrupted Poetry &Co
    • Living with other people
    • I know that is poetry
    • Corrupted Collaborators
  • NIC STRINGER POETRY
  • Sound & VISION
  • Corrupted Poetry &Co
  • Living with other people
  • I know that is poetry
  • Corrupted Collaborators
CORRUPTED POETRY

THE CORRUPTED EMPORIUM

This way

NIC STRINGER

from GUILLEMOT PRESS: Hemispheres

from GUILLEMOT PRESS: Hemispheres

from GUILLEMOT PRESS: Hemispheres

''a book that fascinates and inspires meditative thought ... this is deep, intelligent writing [and] an object of beauty.'' Mary Mulholland, The Alchemy Spoon

buy hemispheres

A day that you happen to know

from GUILLEMOT PRESS: Hemispheres

from GUILLEMOT PRESS: Hemispheres

 Nic Stringer  is a poet who also creates visual & sound compositions as well as events as part of Corrupted Poetry & Fractured Strings.  A day that you happen to know was highly commended in The Forward Prizes 2018, best first collection. ''Ambitious & engaging,''  Rupert Loydell, Stride, ''various & intriguing,''  Martyn Crucefix 


https://martyncrucefix.com/tag/nic-stringer/


stride review

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from GUILLEMOT PRESS: Hemispheres

Music: we are instruments of inquiry

''Persephone opens strongly with a haunted mythic echo of love, loss and an exploration of the very trapped human yearning for ‘freedom.’ Nic Stringer holds up a dark digital mirror to a familiar canonical narrative, and issues powerful statements from a modern interpretation all their own.'' ReVerse Butcher

Steel Incisors

Music: we are instruments of inquiry

Music: we are instruments of inquiry

Music: we are instruments of inquiry

In the half-light, soundtrack to A day that you happen to know recorded by Fractured Strings at Surrey Studios


''An intriguing mix of John Cage meets Tangerine Dream with a little bit of Nurse With Wound thrown in'' (Rupert Loydell, Stride Magazine)


Get the CD, email your address  to corruptedpoet@gmail.com

Suggested donation £5 using the bu

In the half-light, soundtrack to A day that you happen to know recorded by Fractured Strings at Surrey Studios


''An intriguing mix of John Cage meets Tangerine Dream with a little bit of Nurse With Wound thrown in'' (Rupert Loydell, Stride Magazine)


Get the CD, email your address  to corruptedpoet@gmail.com

Suggested donation £5 using the button  below


image: J'ai baise ta bouche © Nic Stringer


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In print

Music: we are instruments of inquiry

Icebergs in Illulisat

Guillemot Press

HEMISPHERES

A DAY THAT YOU HAPPEN TO KNOW  

and  THE CREEL 

https://www.guillemotpress.co.uk/


Steel Incisors 

PERSEPHONE


THE MOUTH OF A LION (Visual Anthology)

https://steelincisorsvispo.wordpress.com/


Pamenar Press

ANTHOLOGY  OF VISUAL POETRY 

(Editor & contributor)

https://www.pamenarpress.com/books


Valley Press

ANTHOLOGY OF PROSE POE

Guillemot Press

HEMISPHERES

A DAY THAT YOU HAPPEN TO KNOW  

and  THE CREEL 

https://www.guillemotpress.co.uk/


Steel Incisors 

PERSEPHONE


THE MOUTH OF A LION (Visual Anthology)

https://steelincisorsvispo.wordpress.com/


Pamenar Press

ANTHOLOGY  OF VISUAL POETRY 

(Editor & contributor)

https://www.pamenarpress.com/books


Valley Press

ANTHOLOGY OF PROSE POETRY 

https://www.valleypressuk.com/


Crested Tit Collective

REWILDING (Anthology)

https://crestedtitcollective.com/


Faber & Faber 

THE FORWARD BOOK OF POETRY 2019   

https://www.faber.co.uk/


Poems and reviews have been published 

in journals,  including Stand, Magma,

Interpreter's House, Structo, Eborakon,

Under the radar and Tears in the Fence


Artwork from the project Some parts have 

been removed is in Issue 69 of Magma 

https://magmapoetry.com/


Interview by Euan Monaghan at Structo 

https://structomagazine.co.uk/icebergs-in-ilulissat-a-conversation-with-nicola-stringer/


Review: Aubrey Beardsley at Tate Britain

https://ab2020.org/aubrey-beardsley-and-the-spirit-of-prog/


Review : Temporary Spaces

https://www.thestateofthearts.co.uk/features/a-compelling-entry-point-to-an-underappreciated-medium-temporary-spaces-reviewed/


Content & images on this website © Nic Stringer 2017

All rights reserved


Please contact us with any questions 

regarding reproduction

Interview: Post-apocalyptic poetry

Icebergs in Illulisat

Music: we are instruments of inquiry

Icebergs in Illulisat

In Disko Bay the growlers and the bergy 

bits crack their knuckles, assemble 

for the birth. It takes a musician’s ear 

to separate the pattern–the falling notes 

from echoes and returns, passed on 

by the underside of waves. Not random 

but arrhythmic, a natural if not melodic 

measure. We call this an adventure, 

a reason to travel, but remain 

In Disko Bay the growlers and the bergy 

bits crack their knuckles, assemble 

for the birth. It takes a musician’s ear 

to separate the pattern–the falling notes 

from echoes and returns, passed on 

by the underside of waves. Not random 

but arrhythmic, a natural if not melodic 

measure. We call this an adventure, 

a reason to travel, but remain as abstract 

as the lines of saturated blues and bone-dry whites, drifting together and apart.


image detail from Ataraxia   © Nic Stringer  

GUILLEMOT PRESS

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